A Changelessness That Is Always Changing

“Everything seems to have changed and yet everything is essentially the same. Think of the surface of a fast-flowing gurgling stream, the way a single bubble within the foam breaks as it spins, breaks into tiny drops then joins again to form a tiny current and goes on its way. I watch the drops and try to concentrate on a single one. It’s impossible. There is no drop. Somehow there is only the whole that is at every instant different and yet the same. But the whole does not exist. Nor do the parts. So what is there? There is a changelessness that is always changing. It is beyond grasping..”
László Krasznahorkai, “Interview With László Krasznahorkai” by George Szirtes, The White Review September 2013

The Realistic Illusion

“All writers believe they are realists. … The discovery of reality will continue only if we abandon outworn forms. … Academic criticism in the West, as in the Communist countries, employs ‘realism’ as if reality were already entirely constituted (whether for good and all, or not) when the writer comes on the scene. Thus it supposes that the latter’s role is limited to ‘explaining’ and to ‘expressing’ the reality of his period. … The style of the novel does not seek to inform, as does the chronicle, the testimony offered in evidence, or the scientific report, it constitutes reality. It never knows what it is seeking, it is ignorant of what it has to say; it is invention, invention of the world and man, constant invention and perpetual interrogation. … I do not translate, I construct. This had been even the old ambition of Flaubert: to make something out of nothing, something that would stand alone, without having to lean on anything external to the work; today this is the ambition of the novel as a whole. …”
Alain Robbe-Grillet, “From Realism to Reality,” Towards a New Novel

The In-Between Things

“I want to evoke all the things that are a part of our lives, but not of our stories — the washing up, the changing of diapers, the in-between-things — and make them glow. Though a five-page description of what’s in a closet is not exactly page-turner stuff, I thought of this project as a kind of experiment in realistic prose. How far is it possible to go into detail before the novel cracks and becomes unreadable? Oh, it’s a shameful venture, no one wants to be boring or banal, but that was what I set out to do. The first book is centered on death, and it’s like bathing in triviality, and then death. When death is near, everything is meaningful, everything glows, everything is intense. The second book has the same pattern, except that the center of the book is the negation of death, i.e. falling in love. So: bathing in a sea of triviality, then love. Around love, everything is meaningful, glowing, intense. This is the structure of life: large chunks of meaninglessness. Time just passes away, nothing really happens, and then death, or love, or birth.”
Karl Ove Knausgaard, “Bookforum Talks With Karl Ove Knausgaard” by Trevor Laurence Jockims, Bookforum 24 June 2013