Roland Barthes, Preface, Critical Essays (1964)
The material text (the Book) may therefore have from its author’s point of view, an inessential and even to a certain degree an inauthentic character. Hence we often find works which are, by a fundamental ruse, nothing but their own project: the work is written by seeking the work, which begins fictively when it is terminated practically. Is this not the meaning of A la recherche du temps perdu — to present the image of a book which is written exclusively by seeking the Book?