Barry Hannah, “The Art of Fiction N°184,” The Paris Review Winter 2004
Gordon Lish was a genius editor. A deep friend and mentor. He taught me how to write short stories. He would cross out everything so there’d be like three lines left, and he would be right.
Barry Hannah, “Why I Write,” Oxford American 20
It is often said that a writer is more alive than his peers. But I believe he might also be a sort of narcoleptic who requires constant waking up by his own imaginative work. He is closer to sleep and dream, and his memory is more haunted, thus more precise. …I forget almost nothing. Even when I was drunk I recalled too much, and hence was forced to relive events in an agony of shame. Friends and confederates are often astounded by what I remember of certain afternoons an age ago — weather, dress, music, mots.