Anne Carson, “The Art of Poetry No. 88,” interview by Will Aitken, The Paris Review 171, Fall 2004″
In Sappho’s poem, her addresses to gods are orderly, perfect poetic products, but the way — and this is the magic of fragments — the way that poem breaks off leads into a thought that can’t ever be apprehended. There is the space where a thought would be, but which you can’t get hold of. I love that space. It’s the reason I like to deal with fragments. Because no matter what the thought would be if it were fully worked out, it wouldn’t be as good as the suggestion of a thought that the space gives you. Nothing fully worked out could be so arresting, so spooky.”
Stéphane Mallarmé, letter to Paul Verlaine, 16 November 1869
Patient as one of the alchemists, I’ve always imagined and attempted something else, and would be willing to sacrifice all satisfaction and vanity for its sake, just as in the old days they used to burn their furniture and the beams of their roofs to feed their furnace for the magnum opus.
What is it? Difficult to say: simply a book, in several volumes, a book that is truly a book, architecturally sound and premeditated, and not a collection of casual inspirations however wonderful that might be…So there, dear friend, is the bare confession of this vice which I’ve rejected a thousand times…But it holds me in its sway and I may yet be able to succeed, not in the contemplation of this work as a whole (one would have to be God-knows-who for that!) but in showing a successful fragment…proving through finished portions that this book does exist, and that I was aware of what I wasn’t able to accomplish. [via]