Edwards, Dickon. Review of Punk is Dead: Modernity Killed Every Night, edited by Richard Cabut and Andrew Gallix. The Wire, January 2018, p. 90
. . . The only concern is that these later echoes might encourage a misconception of the original scene to spit its hard little noun across the cultural radar, the one Andrew Gallix calls in this book “the last great youth subculture”.
In his introduction Gallix admits that punk is not only “probably the most analysed youth culture ever”, but that it’s also one of the most resistant to analysis, a problem that his book “has not quite solved”. Indeed, any attempt at a definitive examination of a movement risks a killing, like an animal categorised through vivisection. Accordingly, he and Richard Cabut have instead chosen the theme of punk as a transformative force, a becoming, not just in terms of the music and the culture around it, but in terms of the humans involved, fans icluded. Cabut and Gallix are just about old enough to be first-hand witnesses to punk: among these pieces are their own memoirs of the time. Accordingly, the book is as much testimony as it is criticism. . . .