
“An especially powerful image that. The clock that clicks as generation after generation passes by.”
– Jenny Diski, In Gratitude (2016)

“An especially powerful image that. The clock that clicks as generation after generation passes by.”
– Jenny Diski, In Gratitude (2016)

“Of their insides we know nothing, because we cannot understand the words that turn those insides out”
– Joanna Walsh, Vertigo 2015

“For a man who no longer has a homeland, writing becomes a place to live.”
– Theodor Adorno, Minima Moralia
[See Andrea Barrett, Mary Ruefle and Rachel Cusk.]

“We moved house often, and each time it appeared that it was the perfecting of our environment that was causing us to leave it, as though living there had been a process of construction that was now complete. (…) To continue creating, a person perhaps has to maintain an essential discomfort in the world.”
– Rachel Cusk, “Making House: Notes on Domesticity,” The New York Times Magazine 31 August 2016
[See Andrea Barrett and Mary Ruefle.]

“Taos pueblo affects me rather like one of the old monasteries. When you get there you feel something final. There is an arrival.”
– D. H. Lawrence, ‘Taos,’ Phoenix (1978)

“There’s a lot of stuff like this in Minima Moralia, the kind of observations you might get in fiction, minus the time-consuming mechanics of plot and story.”
– Geoff Dyer, White Sands: Experiences from the Outside World (2016)

“We are here to go somewhere else.”
– Geoff Dyer, White Sands: Experiences from the Outside World, 2016

“Is it easier to surrender to death than life?”
– Deborah Levy, Hot Milk, 2016

Jeff Bursey, Centring the Margins: Essays and Reviews, 2016: 14

In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and he mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing.”

“The not-being that I have already been. I whisper it to myself, like a mantra, or a lullaby.”
– Jenny Diski, In Gratitude, 2016