
“One great part of every human existence is passed in a state which cannot be rendered sensible by the use of wide-awake language, cut-and-dry grammar and go-ahead plot.”
– James Joyce, letter, 1926

“One great part of every human existence is passed in a state which cannot be rendered sensible by the use of wide-awake language, cut-and-dry grammar and go-ahead plot.”
– James Joyce, letter, 1926

“We learn a lot about ourselves at the moment we lose our balance.”
– Brian Dillon, “Feeling Feeling,” Objects in This Mirror: Essays

“It was high time for a pause to ensue and a long one did.”
– Samuel Beckett, Echo’s Bones

“It is absolutely impossible to identify with the infant my parents photographed, indeed so impossible that it seems wrong to use the word ‘me’ to describe what is lying on the changing table, for example, with unusually red skin, arms and legs spread and a face distorted into a scream, the cause of which no one can remember, or on a sheepskin rug on the floor, wearing white pyjamas, still red-faced, with large dark eyes squinting slightly. Is this creature the same person as the one sitting here in Malmö writing? And will the forty-year-old creature who is sitting in Malmö writing on this overcast September day in a room filled with the drone of the traffic outside and the autumn wind howling through the old-fashioned ventilation system be the same as the grey hunched geriatric who in forty years from now might be sitting dribbling and trembling in an old people’s home somewhere in the Swedish woods? Not to mention the corpse that at some point will be laid out on a bench in a morgue? Still known as Karl Ove. And isn’t it actually unbelievable that one simple name encompasses all of this? The foetus in the belly, the infant on the changing table, the forty-year old in front of the computer, the old man in the chair, the corpse on the bench?”
– Karl Ove Knausgaard, Boyhood Island – My Struggle: Book 3

“Nowhere is so beautiful as when it’s left; the beauty is part of the leaving. …If only I could always be leaving, I’d never miss anyone.”
– Joanna Walsh, “Ventimiglia,” Granta 18 June 2014

“This touches the very core of what it is to be human, as I see it, namely, that to be in yourself is inhuman, since that which is human is always something that becomes in relation to something else, yes, the human is this otherness, that we become ourselves in and that we exist in. To bow down is to bow down before something, to be stiff-necked is to be stiff-necked in the face of something, to worship is to worship something, and to look down is also to look away from something. This relativity, which is as complex as it is abstract and intangible, since it occurs in the spaces between, and has no object, no place of its own, never fixed, always in motion, turns the concept of biological man into a fiction, an image among images, nothing in itself, except in death, when for the first time the body no longer grasps at something, no longer seeks anything, and only then is it something in itself, that is to say, no longer human.”
– Karl Ove Knausgaard, “The Other Side of the Face,” The Paris Review 28 May 2014

“I’m fated to deal in mixtures, slumgullions, which preclude tragedy, which require a pure line. It’s a habit of mind, a perversity. Tom Hess used to tell a story, maybe from Lewis Carroll, I don’t remember, about an enraged mob storming the palace shouting “More taxes! Less bread!” As soon as I hear a proposition I immediately consider its opposite. A double-minded man — makes for mixtures.”
– Donald Barthelme, “The Art of Fiction N° 66,” The Paris Review 80 (Summer 1981)
[See F. Scott Fitzgerald.]

“In conditions of digital recall, loss is itself lost.”
– Mark Fisher, Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures, 2014

“When I look at the city of Paris I long to wrap my legs around it.”
– Anne Carson, “Short Talk on Hedonism,” Short Talks, 1992

“The idea of a life spent within just one space is terrifying.”
– Joanna Hogg, “Architecture of Desire: Joanna Hogg’s Exhbition” by Paul Dallas, Cinema Scope 57 (Spring 2014)