Levy, Deborah. “At Home in the Unheimlich.” Interview by Andrew Gallix. Gorse, N° 3, 2015, pp. 57-78.
Read the interview here.
Chitarroni, Luis. “The Novel Without Qualities.” Interview by Andrew Gallix. Gorse, N° 4, 2015, pp. 185-206.
Luis Chitarroni is a prominent Argentine critic, editor, and novelist, whose staggering erudition is only matched by his warmth, humour, and kindness. Over several months—as I edited the following interview — he patiently responded to all my queries. Here is an extract from a message he sent me yesterday, which gives a good idea of the number of references he can cram, quite naturally, into a short paragraph:
The Distant Star is an allusion, almost a reference, to Roberto Bolaño’s title (Estrella distante). The man from Madrid is Javier Marías (an autor [sic] who declared ‘War’ to Jorge Herralde, his previous editor and publisher). The final sentence pretends to enhance Giordano Bruno’s observation on explosions and Shakespeare title’s play.
In the end, I cut the paragraph referred to above, because it still remained too obscure to me. There are other instances where I chose to leave in some rather cryptic sentences, due to their hypnotic rhythm or sheer beauty. After all, as Roland Barthes declared, ‘For writing to be manifest in its truth (and not in its instrumentality) it must be illegible.’ Tidying up Chitarroni’s answers felt, at times, like translating from English into English, which is slightly disquieting, but also ironic. Indeed, Susana Medina — a London-based Spanish novelist — had kindly translated my convoluted questions into her mother tongue, as I wanted Chitarroni to be able to express himself as freely as possible. When the answers came in, however, they were in English. So the questions were in Spanish, the answers in English, and the interview is the gap between the two. Whenever Chitarroni opens his mouth or puts pen to paper, it is the entire history of Western literature that seems to speak, and yet the voice is always unmistakably his. Whatever the language.
Read the interview here.
Argentinian indie publisher and bookshop Eterna Cadencia has published an anthology of the best young Latin American authors using disappearing ink. The aim of “The Book That Can’t Wait” (“El Libro que No Puede Esperar”) is to force people to read debut works, so that young authors can move on to their second book. Eterna Cadencia devised a new type of ink that starts to fade when it comes into contact with light and air — and disappears completely within two months. The first print run of the anthology sold out within a day.
Some of you may recall that my story “Celesteville’s Burning” revolves around Sostène Zanzibar, a French author, who writes a novel in disappearing ink.