My short review of Paul Gorman‘s excellent The Story of “The Face”: The Magazine That Changed Culture features in the latest issue of The Times Literary Supplement, 24 & 31 August 2018, p. 43.
Here’s an extract:
. . . The Face was ahead of its time, but also very much of it. The inaugural issue was even delayed by a printers’ strike. Although he knew that the Two Tone phenomenon had already peaked, Logan insisted on putting a picture of The Specials’ Jerry Dammers on the cover as the band typified the marriage of street style and popular music he intended to explore. In a landmark piece published a couple of years later, Robert Elms observed that youth culture now represented “not a rebellion but a tradition” — one, he may have sensed, that was drawing to a close. The days of the austerity dandies who, devoid of job or future, fashioned themselves into extravagant works of art, were numbered. Never again would style have so much substance. The Face chronicled the end of an era as much as it ushered in a new one, endowing its early strapline — “rock’s final frontier” — with a presciently valedictory tone.