What We Could Play

Lars Iyer, Nietzsche and the Burbs (2020)

Art, turning the amplifiers up. Listen, man, just listen, he says.
A kind of buzzing. A hum, almost sublminal. Hissing and crackling. Popping. The feeling of forces gathering. Of something about to begin …
Doesn’t it sound cool? Art asks. Have you ever heard anything more exciting?
We’re only going to ruin it by actually playing something, I say.
We should play this, Art says, pressing his ear to the speaker cone. Play all this potential … Like, what we could play, rather than anything we actually play.

[See Peter Markus.]