Here is my review of Chauvo-Feminism: On Sex, Power and #MeToo by Sam Mills. The Irish Times, 27 February 2021, p. 14:
A performative espousal of feminist principles may be a fig leaf for plain old misogyny. Many of the abusers exposed by the #MeToo movement — including Harvey Weinstein himself — were men of a woke persuasion. Sam Mills calls them chauvo-feminists, among other things. She even dated one, which gave rise to a textbook case of gaslighting. This provides the armature for a coruscating disquisition on the mind games of Jekylls who Hyde in plain sight. Mills corrals a vast array of material, blending poignant memoir and meticulous research to great effect. Bristling with righteous indignation, yet commendably nuanced, her essay is never less than entertaining, as when she remarks that map-reading is not a task she has to ‘strain against [her] vagina to accomplish’.
Sam Mills had the good taste to choose “Celesteville’s Burning: A Work in Regress” as part of her contribution (5 February 2021) to A Personal Anthology, a fine series curated by Jonathan Gibbs.
‘Celesteville’s Burning: A Work in Regress’ by Andrew Gallix
Sostène Zanzibar, a successful novelist based in Paris, is suffering a midlife crisis and struggling with creative inspiration. When the journalist Loren Ipsum comes to interview him, they embark on a love affair that ends in humiliation for Zanzibar, who then descends into crisis. The prose is beautifully crafted, the story a wonderful mixture of literary satire, erudite references, superb puns and zingy one-liners, and jokes that made me laugh out loud — Zanzibar’s ex “publicly pooh-poohed his cunnilingus technique, comparing the result as a series of ‘indecipherable chicken-scratch squiggles’”. As the story progresses, there is a shift in tone from comic to poignant and the ending is dreamy and bittersweet.
First published in The White Review, and available to read online. Collected in We’ll Never Have Paris, Repeater Books, 2019.
This short film, by Julie Kamon, is based on an extract from my novel-in-progress, Loren Ipsum. The music and soundtrack are by Also Known as Ariel (aka London-based Argentine author Fernando Sdrigotti). Readings by Susanna Crossman, S.J. Fowler, Stewart Home, Sam Mills, and C.D. Rose.
The film was published by 3:AM Magazine on 13 January 2021. It premiered on Carthorse Orchestra, David Collard‘s online literary salon.
“From the opening shot (a stylish nod to Jacques Demy) this is a wonderful, assured, immersive ten minutes in which sound, text and image align perfectly. Repays multiple viewings” – David Collard.
The multi-talented Sam Mills has done my portrait (as part of a series of writers’ portraits). The beauty of it is that she’s actually managed to make me look good! This is the second draft. Sam said, “I found it easier to draw your eyes when I realised you have similar eyes to Lucian Freud, who I’ve also been sketching (his ghost kindly sat for me…)”.
Sam Mills: “Evidence: if you compare this photo of Lucian Freud with you, I think you have a similar profile, with regard to long lashes/slant of lips? Something similar somewhere”.
Sam Mills: “It’s a colourful pic because you look very vital, with a lot of sun and shukra in your skin, but a close look suggests a jaded edge, as though you’ve not had much sleep or you’ve been imbibing or something (!). Anyway, I was struggling with another portrait & found myself drawing it; here is the half-finished sketch”.