Unwords (Cover Reveal)

Here is the cover of the ebook version of Unwords (Dodo Ink):

Unwords is a series of essays and reviews haunted by a phantom book I never completed when I was in my 20s.

It is about writers who do not feel the need to publish in order to affirm or reaffirm their status qua writers. Writers for whom literature is the ‘locus of a secret that should be preferred to the glory of making books’ (Maurice Blanchot). Writers who write in order to be able to stop writing. Writers whose decision to stop writing imparts ‘an added power and authority to what was broken off; disavowal of the work becoming a new source of its validity, a certificate of unchallengeable seriousness’ (Susan Sontag). Writers who write in invisible ink. Writers of works whose potentiality never completely translates into actuality. Writers who seek out the untranslatable. Writers who think that words can do what they cannot say. Writers who believe in the existence of the books they have imagined but never composed. Writers whose books keep on writing themselves after completion. Writers who strive, quixotically, to bridge the gap between art and life. Writers who hold that every book should contain its counterbook. Writers who sense that every good novel is also an anti-novel. Writers who turn language against itself. Writers who can never finish their works. Writers who can never begin theirs. Writers who destroy their manuscripts and writers who are destroyed by them. Writers who take their time; writers who take their lives. Writers who may be as fictitious as the yarns they spin. Writers who vanish into their writing. Writers who vanish into thin air…

It contains essays on the highest form of intergloss (and everything having already been said), the death of the novel, the death of the author, the unwritten, the unread and unreadable, the International Necronautical Society, fictive realism, Alain Robbe-Grillet’s reality hunger, the Oulipo and literary bondage, René Girard and mimetic desire, literary prizes, France’s rentrée littéraire, The Princess of Cleves as political weapon, linguistic nationalism, commemorating Louis-Ferdinand Céline, Guy Debord as national treasure, the new wave of French urban fiction, Jacno and the jeunes gens modernes movement, Marc Zermati, patisserie terrorism, Arthur Cravan, the slow writing movement, the importance of doing nothing, the dark young things, Andy Warhol’s answer to Ulysses, the poetics of spam, the literati and digerati, the disappearance of 3:AM Magazine (and literature), umbilical words, the melancholy of Guy the Gorilla, the world without me, two interviews with philosopher Simon Critchley, and an after(un)word made up of quotations.

It also contains reviews of works by Jenn Ashworth, Zygmunt Bauman, Claire-Louise Bennett, Laurent Binet, Owen Booth, Gavin James Bower, Kevin Breathnach, Michel Butor, David Caron, Joshua Cohen, Sam Coll, Steven Connor, Albert Cossery, Douglas Coupland, Tim Etchells, Jonathan Franzen, Dan Fox, Paul Gorman, James Greer, Len Gutkin, Isabella Hammad, Aaron Hillyer, Lars Iyer, Heidi James, Stuart Jeffries, Jean-Yves Jouannais, Alice Kaplan, Hanif Kureishi, Deborah Levy, Agustín Fernández Mallo, Ben Marcus, Tom McCarthy, Sam Mills, benjamin Moser, Marc-Edouard Nabe, Joyce Carol Oates, Tony O’Neill, Russell Persson, Max Porter, Chris Power, Ann Quin, C. D. Rose, Lee Rourke, Tiphaine Samoyault, Kathryn Scanlan, Will Self, Christiana Spens, H. P. Tinker, Tracey Thorn, Jean-Philippe Toussaint, Anna Vaught, Joanna Walsh, Damon Young.

Dodo Ink Acquires Debut Novel by Andrew Gallix

“Dodo Ink Acquires Debut Novel by Andrew Gallix.” Dodo Ink Press Release, 7 July 2021:


Dodo Ink is delighted to announce a new publication.

Dodo Ink has acquired UK, Commonwealth and translation rights to Loren Ipsum, the debut novel by French author Andrew Gallix. Gallix founded the 3:AM Magazine website twenty years ago, which is still flourishing; it was the first to champion Tom McCarthy and a host of other emerging writers. He recently edited the anthology We’ll Never Have Paris (Repeater Books) and has reviewed for numerous publications including The Guardian, The Irish Times and The Times Literary Supplement.

Loren Ipsum settles in Paris to write a book about Adam Wandle, a reclusive author who has been hiding out on the fringes of the French capital for decades. Meanwhile, prominent figures of the literati are being kidnapped and “executed” by terrorists, who are convinced that bourgeois bohemians are the main obstacle to revolution today. Cryptic messages are attached to their victims. It transpires that these are all culled from Wandle’s works. Is the latter simply a source of inspiration for the terrorists or their éminence grise? What about the editrix, who is busy rewriting Wandle’s latest typescript by means of erasure? And what of Loren Ipsum herself? Through this satirical collision between the worlds of publishing and guerrilla warfare — set against the background of Paris and its multicultural banlieues — Andrew Gallix explores whether literature can effect radical change. Are books still the only true bombs, as the poet Mallarmé once claimed?

The book was bought on a partial manuscript. Publication is set for 2023.

Andrew Gallix said that he was thrilled with the deal: “Dodo Ink is a bold and innovative independent publisher — my novel couldn’t have found a more fitting home. I look forward to engaging with the whole team and am particularly excited to be edited by Sam Mills, whose work as a writer and publisher I have greatly admired for many years. It’s a dream come true.”

Editorial Director Thom Cuell said, “Andrew is one of the most passionate and insightful contemporary literary voices, and we are delighted to acquire this brilliantly satirical and intelligent novel, which perfectly matches our intention to publish daring and innovative fiction. We look forward to working with Andrew and to sharing Loren Ipsum with readers.”

Sam Mills, Managing Director, said, “We’ve very proud to be publishing Gallix’s debut novel, having been a fan of his essays and fiction for many years. His prose is cerebral, playful and beautifully crafted. In this sharply satirical and wonderfully surreal novel, he explores whether literature can still effect radical change.”

Dodo Ink is an indie press dedicated to publishing daring and difficult fiction. Set up by novelist Sam Mills, book reviewer Thom Cuell and marketing expert Alex Spears, it has published authors such as Monique Roffey, Neil Griffiths and Seraphina Madsen, as well as the recent Trauma anthology, which included essays by Emma-Jane Unsworth, David Lynch and Juliet Jacques.

For PR enquiries contact Sam Mills

sam@dodoink.com

Playful and Beautifully Crafted

Hackett, Tamsin. “Dodo Ink Acquires ‘Playful and Beautifully Crafted’ Gallix debut.” The Bookseller, 8 June 2021:


Independent press Dodo Ink has acquired French author Andrew Gallix’s debut Loren Ipsum, a “daring, satirical novel which alternates between the worlds of publishing and guerrilla warfare”.

The publisher acquired UK, Commonwealth and translation rights directly from the author. The book was bought on partial manuscript and publication is set for 2023.

The synopsis reads: “Loren Ipsum settles in Paris to write a book about Adam Wandle, a reclusive author who has been hiding out on the fringes of the French capital for decades. Meanwhile, prominent figures of the literati are being kidnapped and ‘executed’ by terrorists, who are convinced that bourgeois bohemians are the main obstacle to revolution today. Cryptic messages are attached to their victims. It transpires that these are all culled from Wandle’s works. Is the latter simply a source of inspiration for the terrorists or their éminence grise? What about the editrix, who is busy rewriting Wandle’s latest typescript by means of erasure? And what of Loren Ipsum herself?”

Thom Cuell, editorial director, said: “Andrew is one of the most passionate and insightful contemporary literary voices, and we are delighted to acquire this brilliantly satirical and intelligent novel, which perfectly matches our intention to publish daring and innovative fiction. We look forward to working with Andrew and to sharing Loren Ipsum with readers.”

Gallix commented: “Dodo Ink is a bold and innovative independent publisher — my novel couldn’t have found a more fitting home. I look forward to engaging with the whole team and am particularly excited to be edited by Sam Mills, whose work as a writer and publisher I have greatly admired for many years. It’s a dream come true.”

Gallix is the founder of 3:AM Magazine. He edited the 2019 anthology We’ll Never Have Paris (Repeater Books) and has written reviews for the Guardian, the Irish Times and the Times Literary Supplement.