Catharine Morris — the Times Literary Supplement‘s travel editor — discusses We’ll Never Have Paris with Thea Lenarduzzi in the 30th May 2019 instalment of Freedom, Books, Flowers & the Moon, the TLS podcast. Listen to it here.
. . . In a fine introduction, the book’s editor Andrew Gallix claims Paris as a product of the anglophone imagination, ‘the locus of an art-life merger. . . It is the place that you have to go to to become, be recognised as, and lead the life of a writer”. . . . Gallix claims that the city is a “sort of neutral meeting ground for writers and readers from across the Anglosphere”, which, though possibly true, is not necessarily or always an entirely good thing for the writing that comes out of it. (Gallix’s own short story, featuring a cruelly plausible intellectual called Sostène Zanzibar, is one of the best pieces in the book — funny, allusive, clever and terribly French). . . .
Jordison, Sam. Galley Beggar Press Newsletter, 23 May 2019
Meanwhile, a quick dispatch from the literary elsewhere. Last night I helped launch We’ll Never Have Paris at the wonderful Burley Fisher, in That London.
I’m very proud that there are quite a few Galley Beggar writers in it, alongside a very healthy percentage of the writers who are Doing Good Stuff. There are 79 contributors to this collection — and more to the point, it’s fantastic. I had a blast being the MC at the launch. The readings were just great. I was proud to be there. Here’s the view from the stage. Standing room only:
Andrew Gallix, the editor, is one of the pillars of our world. Only Andrew would have had so many fantastic writers so eager to contribute to a project like this one. It’s a fine idea for a book. To write about Paris, but the Paris that doesn’t exist, the Anglophone vision of Paris, the dream of Paris… Anyway, you’ll see how well it works when you dive into its hundreds of pages and see how varied the contributions are. And it’s not just this book, it’s all the fantastic things Andrew — and 3:AM — have done over the years. Among our generation of writers and publishers, there are very few who haven’t been encouraged, helped and published by him. Chances are that he’ll have helped you if you’re a writer or publisher who isn’t quite at home in the big world, who has crazy romantic dreams about Art and Posterity and who instantly understands the 3:AM tagline: whatever it is, we’re against it. Quietly — rarely putting himself in the foreground — but unstoppably, he has moved things forward. In other words, please buy his book — and enjoy it too. Because the other thing Andrew and 3:AM have always been good at is making it fun.
Greer, Robert. Review of We’ll Never Have Paris by Andrew Gallix, editor. The London Magazine, 17 May 2019
. . . This collection, compiled and edited by Andrew Gallix (of the long-standing online journal 3:AM Magazine), looks at whether this idea of Paris matches the reality (it rarely does), of whether visions formed from hundreds of years of cultural baggage can properly interact with the contemporary metropolis, and whether the true Paris (whatever that is) might actually be something more interesting than our misguided visions.
Gallix’s accomplishment has been to draw together some of the finest voices in contemporary writing (with Joanna Walsh, Eley Williams, Sophie Mackintosh, Isabel Waidner, Alex Pheby and Max Porter all featured here), while creating a sense of balance among the many desires, reminiscences, and voices of the many visions of Paris found in the book’s 561 pages. The writers featured are drawn from across the English-speaking world, with the USA, Australia and New Zealand all represented, along with of course the UK and Ireland. Many of the writers have lived, or currently live in Paris, although some write only from fleeting visits.
. . . There may be the occasional crossover of landmarks and street names, but what is found here is affirmatively not the Paris of Gertrude Stein and James Joyce, of the drinking dens and eateries of Ernest Hemingway, or even the hedonism of the down-and-out Henry Miller. The contemporary reality, in response to these postcards (while occasionally bleaker and more melancholic) has far more depth than these out-dated archetypes. Indeed, as Gallix points out in his superb introductory essay, our interpretation of Paris is flawed by the anglophone background of the figures that we have built our mythology of the city around — Gallix noting that as cultural consumers of Paris, our interpretations tend to be far less informed by the likes of Verlaine, Rimbaud, Sartre and De Beauvoir than it should be. . . .
Copies of We’ll Never Have Paris have landed…in Paris. It’s out in May on Repeater Books.
Repeater Books‘ Josh Turner holding an advance copy of We’ll Never Have Paris, which comes out on 21 May.
And here’s the info from the publisher’s website:
“When good Americans die, they go to Paris”, wrote the Irish playwright Oscar Wilde in 1894.
The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today.
We’ll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct — one which the Eurostar and Brexit only seem to have exacerbated in recent years.
Edited by Andrew Gallix, this collection brings together many of the most talented and adventurous writers from the UK, Ireland, USA, Australia and New Zealand to explore this theme through short stories, essays and poetry, in order to build up a captivating portrait of Paris as viewed by English speakers today — A Moveable Feast for the twenty-first century.
We’ll Never Have Paris has contributions from seventy-nine authors, including Tom McCarthy, Will Self, Brian Dillon, Joanna Walsh, Eley Williams, Max Porter, Sophie Mackintosh and Lauren Elkin.
Here is the final cover spread of We’ll Never Have Paris that comes out on 21 May: